LGBTQ+ History Month: Creators' Spotlight
Some of this work has been featured in 1555, St John’s undergraduate arts zine. Members of College can pick new issues up in the pidge room or you can visit the 1555 website. Thank you to everyone who has contributed to this showcase.
Allanah Booth
Roll for Internet Connection
Since the start of lockdown, my friends and I started a weekly Dungeons and Dragons campaign so we could still see each other despite being locked up in the quarantine dungeon of our own. It's so much fun to have an outlet to just express yourself however you want (and live out our dreams of queer, fantasy pirates). These weekly 'gatherings' were a key part of keeping us happy and sane throughout this crazy time and I am so grateful for them.
I drew the first picture for my friend, the dungeon master of our group, showing them in the centre surrounded by some of the many much-loved NPCs they have created and voiced throughout the campaign. I liked to imagine them sitting on a Zoom call with all their characters, plotting about how to mess with our party.
Alice Hackney
Alice Hackney is a finalist Fine Art student at St John’s and the Ruskin School of Art. ‘My Family’s Farm’ was an exhibition held in the College's Dolphin Quad Gallery on 11 February. As well as the work shown here, the exhibition featured an audio piece where the audience was invited to listen to a countryside walk narrated simultaneously in the countryside itself and retold from memory from the city.
Lily Middleton-Mansell and Alfie Dry
Lily is a second year English student at John’s who also paints and sketches in her spare time. The muse and collaborator of the below painting is Alfie Dry who is also a second year at John’s, studying Human Sciences. Alfie is depicted in the painting, and appears behind the canvas in stunning drag as Miss Take.
About the artwork, Lily says:
‘It's interested in parallels between traditional art and more modern manifestations of (particularly queer) self expression such as drag. I painted the oil portrait of Alfie, then photographed him in drag posing with it. I consider it a collaborative piece not only because, as a model, he actively plays a key (and often unacknowledged) role in the artwork, but also because I want to highlight that his drag is an important art form in itself, both in terms of make up / costume and performance (which he demonstrates with his pose). So essentially: queer art by queer artists in communication with each other.'
Rachel Prince
Rachel Prince is an artist studying at the Ruskin School of Art. Their artwork tends to explore themes of gender and queerness, aiming to represent complex sexual identities and relationships to gender, especially those that refuse to exist within a single category. They are interested in the power that their work has through representing queer voices and expressing a need to change social conventions around gender and sexuality. Their work takes many different forms, including installation, text, video, painting, sculpture and performance, their practice encompassing a fluidity and a resistance to categorisation.
They are also interested in making works which directly confront institutions, especially those in Oxford. They have recently had site-specific sculptural works installed in the Dolphin Quad of St John’s College. They have had other work published in Asterisk* Journal, Refresh Magazine, and the Jericho Arts Review, amongst other publications.
Nat Holton
Downpour by the Reichstag
Sight seeing a city in solitude
I am one in a mass of twos and threes
And fours and fives and toddlers
Still learning to count.
When the sky starts to split and spit
They cry from all directions.
The rain drops fall from one to two
To three to four and five
Each drop alone until they mix
In puddles and streams,
And on the faces of toddlers who scream
In the arms of those
Who cannot stop the rain.
Ten ponchos are unfurled to form
A plastic clump under the storm.
I am uncovered.
I do not fit in.
I find the shelter of a tree.
There we stand:
One three,
Two twos
And me.
I am one of eight until
They’re gone.
And then I watch the drops alone.
Anisha Kaur Jagdev-Harris
Next Stop
When you made your debut
joy soared over my heart
I’ve found my soul in you
and rush to our depart.
You’re my type
Dark hair, salopettes
My heels help eyes level
The first time we met
Drunker than the devil
Fallen Angel
Fallen a girl
Fake abhorrence
Ankles whirl
Calcified, I tense, too wary to move
Fluidly unspent, she re-laces my shoes.
Spell to the Moon
Oh, gather, gather, the sweat of my brow
Knit it three times into poison
Oh, gather around, the kin of my crowd
Three times the bell chimes a caution
I wish to charm a snake
Whose scales warmly gleam
A bond I could not make
Mocks my waking dreams
Oh, gather, gather, five eyelashes plucked
Plait them three times into poison
Oh, gather around, sisters sick of luck
Three times the bell chimes a caution
In haste, a finger curled
Lies on hip unchecked
I stepped close to the girl
Whose sigh brushed my neck
Oh, gather, gather, a lioness tamed
Add her clawed nails to the poison
Oh gather around, you stars rightly blamed
Three times the bell chimes a caution
I took a risk, I danced
The moonbeams swayed
Violence on me chanced
My fearful heart prayed
Oh, gather, gather, a bay-leaf or two
Stir some fresh spice into poison
Oh gather around, dry cardamon cools
Three times a flute blows the caution
One time, my spirit broke
When the truth unveiled
An unloved hero choked
Chasing swordhand’s trail
Oh gather, gather, queen of the dead!
She arrives, blessing our poison
Oh gather around, dip your wet head
Three times a flute blows the caution
I traded mother’s life
For my selfish gain
A finely sharpened knife
Spared her any pain
Oh gather, gather, the beast arises
Coat his raw throat with sweet poison
Oh gather around, gold has its prices
Three times a flute blows the caution
Could I wield such power?
Can my longing howl?
Will the warlords cower?
Is my birthright fouled?
Oh away, away, the rites are over
No drop remains of the poison
Oh run far away, seek tender clover
No more, no more sounds a caution
Anisha Jagdev-Harris is a St John's undergraduate. She likes writing poems about longing and desire. Her all-time favourite poets are Ovid and Rumi.